I burned my mouth drinking tea, but it was good tea

I’m not much of a coffee drinker. I’ve learned to appreciate coffee but tea is my go-to beverage. I can’t handle the caffeine coffee contains. I will literally be awake for 24 hours if I have more than one cup (and sometimes just one cup will suffice). I grew up with my parents telling me, “You’re not old enough for coffee until you can drink it black.” So I go for the gusto when I drink coffee. Unless someone else prepares it and is trying to be all fancy, I just fill up a cup and become wired for the rest of the day.
Tea is easier on me and I feel like there are far more varieties. Just like coffee, I don’t add sugar or cream to my tea. I generally just pick up individually wrapped flavors, whatever I’m in the mood for. Black teas in the daytime, herbal teas at night. I don’t know if they really do anything for me in terms of keeping me awake or helping me sleep but it’s a routine I manage to stick to. I have a small collection of loose teas and even a pretty awesome Teavana tea maker that my BFF Stevie got for me a few years back. But for quick cups of loose leaf tea that just needs to steep a few minutes and be consumed, I came up with a quick fix that only requires a coffee filter and a toothpick.

Sprinkling the appropriate amount of loose tea leaves you’d like into the coffee filter, fold it and cinch the top with the toothpick until it’s closed so as to prevent anything from falling into the water. BOOM! TEA!

 

Super old self portraits

When I take pictures, I vastly prefer using natural light to flashes. Natural light meshes better with my style of photography. Which is to say, artificial lighting is stupid and I get impatient with it and it's ugly and I hate it, so there.

Really, I don't know what it is with my inability to conquer flash photography. Impatience has a lot to do with it. I don't want to bother with setting up more equipment than I have to and dragging it around with me wherever I go. I feel more inspired and improvisational when it's just a camera in my hands and I'm free to go do whatever I want or need to do. 

I worked briefly at a Sears Portrait Studio in 2006 and obviously that demanded the use of strobe lights. That's all well and good, but the camera itself was attached to a giant, cumbersome tripod-ish thing on wheels that was six feet tall and had a sliding arm to move up and down to change the height of your view. The camera was not removable. Which begs the question, if you can't hold a camera steady and frame it properly, why are you working in a photo studio? The answer to this question is studios like this will hire anyone off the streets and tell the people after the fact that their primary job is sales. But let's save the horrors of portrait studio work for another post and say I don't like being impeded by extra crap when my only focus is what the camera is focused on.

After high school, I took photography classes at the good old within-walking-distance community college. I had access to the studio and often took advantage of it despite clearly not knowing what the hell I was doing. I came across some negative scans from a self portrait shoot I did about seven years and two cup sizes ago and I still have feelings when I look at them that range from "I had fun when I did that" to "these are so fraking terrible."

You can't grow as a photographer, artist or human if you can't look back at what you've done and recognize the good and the bad and how you've changed to become the person you are today. What stands out to me the most with these are the lights were far too hard and I decided it would be a brilliant idea to use as many gels on the lights as possible. So, washed out photographs that are impossible to color correct — my favorite! I've probably thrown these through Photoshop four or five times over the years and can't get them to my liking. But this arduous process continues to teach me what to look out for (if there is a) next time.

All in all, this is a cool shot. Just me and my camera, twirling around to the Dead Milkmen. I bought this dress at a thrift shop for a couple bucks and it was perfect for my intentions: DRESS UP PHOTO PARTY! I like/get annoyed that my right shoulder looks like a bad Photoshop lasso cut. It's not. It's just velvety.

This picture irks me for so many reasons. It's washed out to hell, the colors were so ridiculously mixed that the only way to make it even somewhat viewable was to desaturate it and the lighting is so harsh that a more unflattering photograph of my face you'd be hard pressed to find. And what is that face I'm making? I feel like Migrant Mother and Scarlett O'Hara on crack mixed into one person. The pose is kinda cool though, and the slight motion of my left hand is neat. My hands look far bigger than they actually are, still trying to figure that one out. I'd be a far better guitar player for sure.

Another thing about this photo shoot is I don't think I made any adjustments to the lights during the hour and a half I had the studio. I didn't reposition the angles, didn't move the stands, didn't change the intensity of the lights, nothing. And really, I'm not being that hard on myself. This is one of my first studio experiences so it was really a matter of experimentation. That's how I learn the best. It seems like the set up I had worked better for photographs where I was closer to the camera. Still some weird colorization and my face is still washed out and casting hard shadows, but my skin tone doesn't make me look like Vladimir Lenin's corpse. That's important to me. Oh, and if you don't want to look at pictures of the naked body of a communist leader who died in 1924, I'd advise against clicking that link.

Actually, I think this picture's badass, all things considering.